{"title":"Rock and Records","description":"","products":[{"product_id":"robert-rooney-graphic-scores","title":"Robert Rooney: Graphic Scores","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003e*** PICK UP ONLY ***\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003eIn 1965, Melbourne artist Robert Rooney produced his first graphic score, 'Synops', for his contemporary music trio with Barry McKimm and Syd Clayton. Over the next few years, Rooney continued this visual approach to musical indeterminacy with graphic scores allowing for new levels of experimentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooney’s graphic score for 'Duo 1, 2 and 3' (1965) is a visual system of exits and entries for performers, divided into three sections. Two players read from the score while a third improvises in response to their performance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Second Landscape for Instruments (Slippery Seal)' (1968) utilises the seal shape, taken from a Kellogg’s cereal packet, from Rooney’s 'Slippery Seal' series of paintings made in the same year. Musicians must find a way of performing the visual objects they encounter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike his paintings from the same period, with their emphasis on abstraction, pop motifs and the impersonal, Rooney’s graphic scores demonstrate the artist’s interest in open-endedness and chance within the structure of a predetermined system.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePublished together here for the first time, the only extant recordings of these avant-garde scores – performed by Rooney (piano), McKimm (trumpet) and Clayton (double bass) – document one of\u003cspan class=\"bcTruncateMore\"\u003e the earliest occasions in Australian history when experimentation in visual art and music were combined.\u003cbr\u003e\u003cbr\u003eThis limited-edition LP is accompanied by new writing by Maggie Finch, Curator of Photography, National Gallery of Victoria, Melbourne, on Rooney's little-known sound practice.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased May 16, 2025\u003cbr\u003e\u003cbr\u003eAll music © Estate of Robert Rooney\u003cbr\u003eDesign by Anna McEwan\u003cbr\u003eMastered by Sean McCann\u003cbr\u003eEssay by Maggie Finch\u003cbr\u003eEssay design by Duncan Blachford\u003cbr\u003e\u003cbr\u003eAudio Art Australia sincerely thanks Barry McKimm, Maggie Finch, and Trevor and Michele Fuller of the Estate of Robert Rooney for their contributions to this release.\u003c\/div\u003e","brand":"Audio Art Australia","offers":[{"title":"Default Title","offer_id":50557536665893,"sku":"","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/2250\/2693\/files\/0039491811_10.jpg?v=1748582396"}],"url":"https:\/\/keeperprintroom.com.au\/collections\/records.oembed","provider":"Keeper Print Room","version":"1.0","type":"link"}